enter the treadknot
Welcome
On September 26th, 2006, I launched my tire art/design business, Reptire Designs, with a solo exhibition of my artwork in The Green Gallery at The Scrap Exchange Center for Creative Reuse, in Durham, NC. For many reasons, it was a night that I will always remember, and I am grateful to Laxmi (my girlfriend at the time) and Edie (my mother, still) for dutifully documenting while I shmoozed, so that I may now shmare a taste of the evening with anyone who was not able to attend...
On a cool but lively autumn night-before-Center Fest, a stream of friends and curious strangers trickled (like pebbles through a rain stick) through the forest of odds and ends (that roost at night in The Scrap Exchange), out into the warm light of the back savanna, a scene utterly glopped with bizarre rubbery hybrids. Tentative and curious, the visitors craned their necks, nibbled, pecked, stood back, moved in closer. From the walls, glassy mirror eyes gazed back through black unblinking eyelids, while beneath the visitor's feet, in a steamy drainage cistern, a mortal drama unfolded. Primordial forms, with no eyes at all, sat puckered on stoops. A cascade of glittering steal droplets formed a curtain, to which clung a colony of tiny tire knotlettes.
By the end of the night, hundreds of friends, acquaintances and had-been-strangers had poured in, poured over the work, and partaken in, what was for me and my art, a monumental communal feast. And on top of it all, I got to place many of my preemies in hands that I love and trust, and in several instances, hands that fit them like gloves. What a privilage to be able to connect with people this way. Heading into the turbid seas of small business, I can confidently say that if I drown tomorrow, I am at least blessed today with the memory of (as Vito later put it) one authentically good Durham night.
Thanks to all of you who were there; in body and/or spirit.
On September 26th, 2006, I launched my tire art/design business, Reptire Designs, with a solo exhibition of my artwork in The Green Gallery at The Scrap Exchange Center for Creative Reuse, in Durham, NC. For many reasons, it was a night that I will always remember, and I am grateful to Laxmi (my girlfriend at the time) and Edie (my mother, still) for dutifully documenting while I shmoozed, so that I may now shmare a taste of the evening with anyone who was not able to attend...
On a cool but lively autumn night-before-Center Fest, a stream of friends and curious strangers trickled (like pebbles through a rain stick) through the forest of odds and ends (that roost at night in The Scrap Exchange), out into the warm light of the back savanna, a scene utterly glopped with bizarre rubbery hybrids. Tentative and curious, the visitors craned their necks, nibbled, pecked, stood back, moved in closer. From the walls, glassy mirror eyes gazed back through black unblinking eyelids, while beneath the visitor's feet, in a steamy drainage cistern, a mortal drama unfolded. Primordial forms, with no eyes at all, sat puckered on stoops. A cascade of glittering steal droplets formed a curtain, to which clung a colony of tiny tire knotlettes.
Vito D., a long-time collabator down from the Asheville area, caressed the warming air with his Strange Little Folk music. I bobbed and I flit, and at an increasing clip-someone must have opened the faucet a bit....for soon I was swooning, I just about lost it! As the evening progressed, to my delight and amazement, 'family' from Durham, Chapel Hill, Pittsboro, Hillsboro, Siler City, Asheville, and Fresno all made it! From the Cohn Clan to the Steudel Clan to the CFS Clan; from the WWC Clan to the Duke Ac Pub Clan to the SAF Clan; from the Bike Shop Clan to the Ninth St. Clan to the Scrap Clan... and every one in between, guys, they were all appearing before my stunned, blinking eyes. While I spun and I splayed, Vito now played-CHURNED- up a torrent of gritty ditties; while a staff volunteer (Brandon's a photographer, I swear) whipped up pitchers of Mango Lassies. And The 'Scrap Exchange girls' worked the door, the counter, and the floor, going "cha-CHING!", cha-CHING!","cha-CHING!".!.
By the end of the night, hundreds of friends, acquaintances and had-been-strangers had poured in, poured over the work, and partaken in, what was for me and my art, a monumental communal feast. And on top of it all, I got to place many of my preemies in hands that I love and trust, and in several instances, hands that fit them like gloves. What a privilage to be able to connect with people this way. Heading into the turbid seas of small business, I can confidently say that if I drown tomorrow, I am at least blessed today with the memory of (as Vito later put it) one authentically good Durham night.
Thanks to all of you who were there; in body and/or spirit.
Reclaimed-wood Builder and Reptire Collector Howard Staab enjoying magwi knot at the Scrap Exchange
Sammy and Dannette contemplate
Cascade Colony of Knotlets
Laxmi Resplendent
Mavis In The Mist
Tire Amazement
Monday, June 10, 2013
Forbidden Fruit Dress Saga- Episode 7
SECOND HEAVE
So I left , to make a long planned pilgrimage to visit my
Grandpa.
When I returned, to try to finally finish the thing, it
seemed like some ot the staff at TSE was kinda burnt out on me. I was sad to
find this, but not wholly surprised.
So, with a gracious loan of the dress form, to facilitate
the dresses completion, I moved operations to my parent’s house down the way
for the final haul. They were out of the town for the weekend, and needed me to
tend the animals, so it worked out perfectly. I could now work continuously,
with out interruption, which was in many ways what I had longed for. And this I
did, from Sun up to sun down, to sun up, to sun up! I did have to go play a gig
on Friday evening in Pittsboro. But on Saturday I worked 26 hours straight
through the day and then on through the night, with out stopping more than 10
minutes here and there to fuel up my body (no caffeine, just grapefruit juice!)
It was just a matter of chipping away at a tunnel through a
mountain, trying to break through to the other side. There was no getting
around it, it was just a matter of continuously moving forward through the work
of it. My thumb felt like it was about to fall off of my hand, the nail fall
off of the thumb, it almost couldn’t be used any more, didn’t want to be, but
of course was, had to be
Ive worked enough 14 hour days to know that working
continuously, without rest, at any task, can be about as exhausting and ass
whooping as any other.
Finally, at about 2 pm, I took a couple cautious hours of
sleep, to make a safe drive to Chapel, for delivery by 5.
I am quite ashamed to say that when I finally did drop the
dress off the good folks at FRANK Gallery, they basically had to chase me out,
as I was still trying to attend to the seemingly endless details, each waiting
in for their turn, in turn.
They did however park the brightly dress colored dress right
in the window out on Franklin St. And this was a quite pleasure for me, in my
somewhat delirious state, to this creation peering out of the window of its new
home on E. Franklin St.
There was a lot of great work there, and it felt good to
leave this thing in such good company of kindered spirits, and in the good
hands of the Staff at FRANK.
I guess, not surprisingly, I am like any parent, dropping
their kid off at the first day of kidnergarten. Waive “Bye bye!”