enter the treadknot
Welcome
On September 26th, 2006, I launched my tire art/design business, Reptire Designs, with a solo exhibition of my artwork in The Green Gallery at The Scrap Exchange Center for Creative Reuse, in Durham, NC. For many reasons, it was a night that I will always remember, and I am grateful to Laxmi (my girlfriend at the time) and Edie (my mother, still) for dutifully documenting while I shmoozed, so that I may now shmare a taste of the evening with anyone who was not able to attend...
On a cool but lively autumn night-before-Center Fest, a stream of friends and curious strangers trickled (like pebbles through a rain stick) through the forest of odds and ends (that roost at night in The Scrap Exchange), out into the warm light of the back savanna, a scene utterly glopped with bizarre rubbery hybrids. Tentative and curious, the visitors craned their necks, nibbled, pecked, stood back, moved in closer. From the walls, glassy mirror eyes gazed back through black unblinking eyelids, while beneath the visitor's feet, in a steamy drainage cistern, a mortal drama unfolded. Primordial forms, with no eyes at all, sat puckered on stoops. A cascade of glittering steal droplets formed a curtain, to which clung a colony of tiny tire knotlettes.
By the end of the night, hundreds of friends, acquaintances and had-been-strangers had poured in, poured over the work, and partaken in, what was for me and my art, a monumental communal feast. And on top of it all, I got to place many of my preemies in hands that I love and trust, and in several instances, hands that fit them like gloves. What a privilage to be able to connect with people this way. Heading into the turbid seas of small business, I can confidently say that if I drown tomorrow, I am at least blessed today with the memory of (as Vito later put it) one authentically good Durham night.
Thanks to all of you who were there; in body and/or spirit.
On September 26th, 2006, I launched my tire art/design business, Reptire Designs, with a solo exhibition of my artwork in The Green Gallery at The Scrap Exchange Center for Creative Reuse, in Durham, NC. For many reasons, it was a night that I will always remember, and I am grateful to Laxmi (my girlfriend at the time) and Edie (my mother, still) for dutifully documenting while I shmoozed, so that I may now shmare a taste of the evening with anyone who was not able to attend...
On a cool but lively autumn night-before-Center Fest, a stream of friends and curious strangers trickled (like pebbles through a rain stick) through the forest of odds and ends (that roost at night in The Scrap Exchange), out into the warm light of the back savanna, a scene utterly glopped with bizarre rubbery hybrids. Tentative and curious, the visitors craned their necks, nibbled, pecked, stood back, moved in closer. From the walls, glassy mirror eyes gazed back through black unblinking eyelids, while beneath the visitor's feet, in a steamy drainage cistern, a mortal drama unfolded. Primordial forms, with no eyes at all, sat puckered on stoops. A cascade of glittering steal droplets formed a curtain, to which clung a colony of tiny tire knotlettes.
Vito D., a long-time collabator down from the Asheville area, caressed the warming air with his Strange Little Folk music. I bobbed and I flit, and at an increasing clip-someone must have opened the faucet a bit....for soon I was swooning, I just about lost it! As the evening progressed, to my delight and amazement, 'family' from Durham, Chapel Hill, Pittsboro, Hillsboro, Siler City, Asheville, and Fresno all made it! From the Cohn Clan to the Steudel Clan to the CFS Clan; from the WWC Clan to the Duke Ac Pub Clan to the SAF Clan; from the Bike Shop Clan to the Ninth St. Clan to the Scrap Clan... and every one in between, guys, they were all appearing before my stunned, blinking eyes. While I spun and I splayed, Vito now played-CHURNED- up a torrent of gritty ditties; while a staff volunteer (Brandon's a photographer, I swear) whipped up pitchers of Mango Lassies. And The 'Scrap Exchange girls' worked the door, the counter, and the floor, going "cha-CHING!", cha-CHING!","cha-CHING!".!.
By the end of the night, hundreds of friends, acquaintances and had-been-strangers had poured in, poured over the work, and partaken in, what was for me and my art, a monumental communal feast. And on top of it all, I got to place many of my preemies in hands that I love and trust, and in several instances, hands that fit them like gloves. What a privilage to be able to connect with people this way. Heading into the turbid seas of small business, I can confidently say that if I drown tomorrow, I am at least blessed today with the memory of (as Vito later put it) one authentically good Durham night.
Thanks to all of you who were there; in body and/or spirit.
Reclaimed-wood Builder and Reptire Collector Howard Staab enjoying magwi knot at the Scrap Exchange
Sammy and Dannette contemplate
Cascade Colony of Knotlets
Laxmi Resplendent
Mavis In The Mist
Tire Amazement
Wednesday, July 1, 2015
INTERLUDE 2 Nefarious Avian Activities
I
can’t look the other way any longer. The signs are all there, staring me in the
face. And D’ Nile ain’t just a river in Egypt…no, no. Time face the facts.
Wrens are using my studio as cover for a bug trafficking operation.
My
suspicion should have been roused the first time I caught the male wren
returning, a few days after the kiddos hopped the nest. All the hubbub had
finally died down, and now that the last little grouchy little grandpapito had
made that great leap of faith off of the window sill; things had finally
returned to the peacefull post partum period I have come to expect this time of
year.
So
I was surprised to see the little brown male wren hop through window and make a
hasty b-line over to my kitchen area, pausing only for a startled moment on my
stereo when we discovered one another. We eyed one another with surprise and
suspicion. “What are you doing back here?” I wondered. He only begrudgingly
acknowledging me with a tip of his beak. “Oh hey, whats up?” he seemed to
mumble. Talk about awkward. After all we had been through, this is all I get?
“Oh hey, what’s up? I just came to get a few things….”…? and then he went on
his way rummaging through my kitchen.
And
so the traffic began. Now, I might have a spider here or there hiding in a
corner of my studio, but I don’t have the kind of merchandize that these cats
are slinging. Big fat beige grubs, dangling from their beaks, where are they
getting these things from?
My
theory is that they are mining these things from somewhere across the street in
front of my studio. And that their nestlings are still holed up some where
behind my studio.
So
rather than take the risk of shuttling these things over the vast black expanse
of my roof top, the safer little wren thing to do would be to cut through the
‘thicket’ of my studio, their old neighborhood. They know the sculpture, every
tire branch, the circuit hopped from one sculpture to another has been etched
into the micro circuitry of their reptile brains.
And
so it is, that my studio, with its wide low ceiling, and perches galore
provides the perfect foil for transporting a bumper crop of bugs.
Have
they offered me a cut of the action, for safely harboring their nefarious
activities? Ha! They fly through like they own the place! And I, like a poor
peasant, watching through drawn curtains as the narcos conduct their business
in the street, endure and wait.